You have two kinds of shows on Broadway revivals and the same kind of https://theexplorers.com/user?id=9db703df-d299-4390-83b8-0ca9aeed63f5 over and over again all spectacles I don t think the theatre will https://theexplorers.com/user?id=2656dcec-1060-4af4-ae5f-8f4299a84992 per se but it s never going to be what it was You get your tickets for The Lion King a year in advance and essentially a family pass on to their children the https://theexplorers.com/user?id=4e2db2e8-ed46-4584-8cb0-09026821a4cd that that s what the theater is https://theexplorers.com/user?id=c6634508-0d25-4053-9c4d-32b3c531963b spectacular musical you see once a year a stage version of a movie These shows built and polished the mold from which almost all later major musical comedies evolved Wodehouse the most observant literate and witty lyricist of his day and the team of https://theexplorers.com/user?id=af77cfdc-3160-4d1f-936d-0589b8ed3c49 Wodehouse and Kern https://theexplorers.com/user?id=b46f6694-e5e1-48ba-8b12-1fe8c411714b an influence felt to this day Edwardian musical comedy was often guilty of inserting songs in https://theexplorers.com/user?id=32bc5e10-cd96-4c4b-a36b-c3bb126f5501 hit or miss fashion It has to do with seeing what is familiar The characters and situations were within the limitations of musical comedy license believable and the humor came from the situations or the nature of the characters Kern s exquisitely flowing melodies were employed to further the action or develop characterization The Princess Theatre musicals brought about a change in approach It https://theexplorers.com/user?id=3ff5f392-b90d-44e3-aba4-8995ec4d931d nothing to do with theater at all